THE PROBLEM OF THE RELATIONSHIP BETWEEN SUBSTANCE AND FORM IN ARMENIAN CONTEMPORARY DOCUMENTARY CINEMA

Language: Armenian

Summary

Authors of Armenian contemporary documentary films have found certain principles and forms of expression, the continuous use of which can be noticed by an overall view on them (the continuity of formal expression can be called a director’s handwriting). These forms and principles are based on either the stereotypical understanding of cinema basics from their early career, or personal experiments and preferences.