{"id":121,"date":"2019-01-10T22:40:54","date_gmt":"2019-01-10T18:40:54","guid":{"rendered":"https:\/\/segkirakossian.com\/?page_id=121"},"modified":"2020-08-31T00:42:08","modified_gmt":"2020-08-30T20:42:08","slug":"aestheticization17j","status":"publish","type":"page","link":"https:\/\/segkirakossian.com\/fr\/aestheticization17j\/","title":{"rendered":"Aestheticization of the Social Phenomena"},"content":{"rendered":"

\"SOCIAL<\/a>AESTHETICIZATION OF THE SOCIAL PHENOMENA IN THE ARMENIAN CONTEMPORARY <\/span>DOCUMENTARY CINEMA<\/span><\/h4>\n
Publication: \u00ab\u00a0Lraber\u00a0\u00bb, National Academy of Sciences of Armenia<\/div>\n
Year: 2017<\/div>\n
Language: Armenian<\/div>\n
\n

Summary<\/p>\n

Armenian contemporary documentary cinema fulfills one of its main functions, which is presenting important aspects of modern society through creative techniques without creating contradictions between the fact of life reality and cinema reality. From this point of view documentary film can be used in sociological researches. More vivid examples that show a large panorama of different phenomena of Armenian society are the \u00ab\u00a0Deadlock<\/a>\u00a0\u00bb by Harutyun Khachatryan, \u00ab\u00a0Bekor<\/a>\u00a0\u00bb (sherd) by Tigran Khzmalyan, \u00ab\u00a0A Story of People in War and Peace<\/a>\u00a0\u00bb by Vardan Hovhannisyan, \u00ab\u00a0The Young Man Who Didn\u2019t See Anything or Exercise 09:39<\/a>\u00a0\u00bb by Arusyak Simonyan.<\/p>\n<\/div>\n


This browser does not support inline PDFs. Please download the PDF to view it: Download PDF<\/a><\/object><\/p>\n\n","protected":false},"excerpt":{"rendered":"

AESTHETICIZATION OF THE SOCIAL PHENOMENA IN THE ARMENIAN CONTEMPORARY DOCUMENTARY CINEMA Publication: \u00ab\u00a0Lraber\u00a0\u00bb, National Academy of Sciences of Armenia Year: 2017 Language: Armenian Summary...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/pages\/121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/comments?post=121"}],"version-history":[{"count":10,"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/pages\/121\/revisions"}],"predecessor-version":[{"id":545,"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/pages\/121\/revisions\/545"}],"wp:attachment":[{"href":"https:\/\/segkirakossian.com\/fr\/wp-json\/wp\/v2\/media?parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}